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flat brush造句

"flat brush"是什么意思   

例句與造句

  1. The file card is flat brush with short wire bristles.
  2. Most of the Shaker villages were involved in making these flat brooms and flat brushes.
  3. For brushing pastry layers or loaves of bread with melted utter, a flat brush will be easier to use.
  4. Once it is dry, apply the decoupage finish to the entire project, using a sponge brush or flat brush.
  5. He occasionally paints with a knife, but mostly with flat brushes to achieve " a kind of blocky modeling ".
  6. It's difficult to find flat brush in a sentence. 用flat brush造句挺難的
  7. A hedgerow and pasture, made with the downward strokes of a flat brush, spreads out in lime and olive and blue-green.
  8. The printer paint color on the color board before carved, then put paper on the wood board and use brush to flat brush the paper.
  9. This style would be deemed the " Mi Fu " style and involved the use of large wet dots of ink applied with a flat brush.
  10. If you're only working on flat surfaces, you can get by with a 2 {-inch flat brush ( use a four-inch brush for larger surfaces ).
  11. Remove the rollers, and brush out the hair with a flat brush; then, finger-comb a deep wave at eye level, letting the rest of the hair fall gently.
  12. To attach the print, use a sponge brush or flat brush to lightly coat the back of the print with a decoupage finish available from arts and crafts stores.
  13. Instead of a pen he uses a flat brush dipped in moderately moist dry ink ( ink paste ), which is absorbed and expands on the paper, penetrating and cracking.
  14. Seurat described one of the brush-stroke techniques he developed on this canvas as the " balay?" technique, wherein a flat brush is used to apply matte colours using strokes in a criss-crossing formation.
  15. While the brushed-origin thesis had been proposed in the nineteenth century, Catich, having worked as a union sign painter, made a complete study and proposed a convincing " ductus " by which the forms were created, using a flat brush and then chisel.
  16. He is noted for the fullest development of the thesis that the inscribed Imperial Roman capitals of the Augustan age and afterward owed their form ( and their characteristic serifs ) wholly to the use of the flat brush, rather than to the exigencies of the chisel or other stone cutting tools.
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